素顔 Sugao
The person behind the platform
Manuel Vivo Casarotti
Kotodama Finance began with a frustration I lived. For years I worked inside multinational insurers, first in insurance operations and later in risk management — work that runs on information — and I kept hitting the same wall: what I needed existed, but it was scattered, slow to reach, and written to inform without revealing. The numbers were public and still opaque. Closing that opacity — public information that still fails to inform — is what this platform sets out to do.
The instinct to close it comes from the work. Across seventeen years in financial services I moved through the whole arc of an insurance business — underwriting, claims, operations, management and the Board — and built the parts that turn raw figures into decisions. That is where I learned to tell a figure that has been verified from one that has merely been repeated — the difference this platform is built on.
It is also why we begin where we do. Insurance is the sector I know from the inside; Japan is where I live and work in the language. The first node of a larger map, not its edge.
Off the clock
What ties most of this together is a taste for hard problems. I became a risk manager by vocation, not by training — I came to it because untangling something complex and making it hold still is the kind of work I enjoy. Risk is a puzzle; so is a financial system; so is a Rubik’s cube — only the most honest-looking of the three.
The same appetite runs through what I read. Literature mostly, but my longest obsession is mythology and religious studies — old ways of naming the world so it can be understood. That interest leaves fingerprints on this project, though where and how is a longer story told elsewhere.
Away from the desk I climb and camp when I can. Japan has been generous here — Mount Fuji five times so far. Sailing is the one I still owe myself: I love being on the water, and haven’t yet managed it on this side of the world.
A slower, more personal record of what I read and watch is on the way.